For effects that require sound wave seals to be detected, such as automatic wah and octave effects, the connection should be as close as possible to the guitar. Wah pedals generally need to be connected before the distortion, so that it can better control the distortion, of course, the distortion of the sound after the distortion is also good.
The sound changes caused by wah sound have a great relationship with the connection position. Before the distortion and after the distortion, it is very different. You can try different sounds.
If you connect the EQ after distortion, you can completely shape the tone.
The Reverb effect needs to be connected at the end so that you get the most out of it. Tongue out
Chorus / Delay / Reverb connections should be carefully monitored for changes in sound.
The volume pedal connection controls the intensity of the distortion before it is distorted.
Connecting a noise reduction effect can reduce the noise caused by distortion and some modulation effects, but it also cuts some signals and makes appropriate modulation according to different situations.
The TONE button is used to add brightness and depth to the sound. (The theory of this equalizer) To make the tone you need, you can set it in the middle position first, then turn and set the appropriate tone position according to different needs.
Delay adjustment!
You can use Delay to get a wider range of sounds. If you want to have a two-tone, similar to the effect of the duo, you need to set a short delay (50m s or less) and no feedback. To get a long effect delay with Rever, you can set the time to 100 - 200m s. Setting it to 300m s may work with your drum time to create interesting effects. If a delay of 800m s or longer is used, a delay effect of the harmony chain can be produced. Finally, remember that separating the direct sound and the delay effect sound creates a full, three-dimensional effect.
Use the Chorus type effect!
The change is usually Mono (mono) or Stereo (stereo). When using mono, a rich effect sound is provided. When you are in stereo, you can get a wide sound.
Use the Flanger effects to create a short delay!
The basic circuits of Chorus, Flanger and Delay effects are the same. So [sometimes] can produce the same effect, setting Flanger's Resonance to 0 produces a chorus effect. Setting all of Flanger's controls to zero position produces a single short delay effect.
Combine short delay and long delay!
If you connect a Flanger and a Delay, you can add a short delay and a long delay effect created by Flanger to the sound. Two delays produce a distinctive reverb effect and the sound is broad and full.
When using Chorus with other instruments!
When a guitarist uses a Chorus effect with a keyboard player, the sound will become unclear. In this case, if the keyboard or synthesizer or electric piano is chorused, the guitar uses a clean "no effect" tone.
Use an octave before distortion!
This can produce very heavy distortion effects. Keep a certain pitch and connect the octave to the effect closest to the guitar.
Use a single Boost speaker to distort!
You can use some distortion effects to push the speaker's gain distortion to get more distortion and tone, or you can use a single block to push the sound of another single block.
Use two distortion monoblocks (Low gain)
Use Low gain as the pusher, set the Low gain drive to a lower level, and the Level a little more. Set High gain to normal break. The rhythm of the play only needs to adjust the effect of the High gain. When you play SOLO, set the Low gain tone to a sharper setting. Remember that noise or feedback may occur during the use of this situation.
Use an EQ or Compresor!
An EQ (equalizer) or Comp (compression) can also be used as a good thruster. Using EQ will increase the gain and distortion of the indicator at different frequencies. Using Comp can also achieve distinctive distortion sounds through changes in TONE and ATTACK.
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